A Lacanian reading of Marty Supreme reveals a film structured by obsessional desire, maternal enigma, paternal absence, and the fantasy of total satisfaction. Marty’s pursuit of table-tennis supremacy becomes an Oedipal drama of deferral, humiliation, and lack, culminating in a fragile symbolic reorientation before the child he can no longer disavow.
Tag: film theory
Cinema, Silence, and the Real. Three Events with Peter Jansson in Berlin
This January, I am delighted and honored to host Peter Jansson in Berlin. Over three events, we will explore cinema, psychoanalysis, and philosophy through a shared question. What can film show us when words fail. In this small series we will move from clinical practice, to theory, to an open public encounter with film. No… Continue reading Cinema, Silence, and the Real. Three Events with Peter Jansson in Berlin

